Thursday, December 4, 2008

Hey Hey Hey Whitman

Walt Whitman is one of my favorites. I love poetry, and free verse is my favorite. I completely disagree with Robert Frost, as I believe that one can express more in free verse and create a more meaningful poem. When we talked about “The Wound-Dresser” in class, I looked towards Megan in a fit of glee. It was amazing that I restrained myself to only a few comments on the poem, because I probably could have talked the entire time. I mean, look at the amazing imagery that this man creates. He writes of how the soldiers’ “priceless blood reddens the grass the ground” (ln. 28) and the “refuge pail,/ Soon fill’d with clotted rags and blood, emptied, and filled again.” (ln. 32-33). I can almost visualize what he saw while he volunteered in the hospital. I, like many other people, have never been in or seen the devastations of war first hand, but back then people were surrounded by it. This poem paints a picture of the horrors of war, in that it is not just a representation of glory and honor, but of the injured and dying as well.
One of the most disturbing images that I found in the poem was in the third section when he was writing about the different operations that had to be done to each soldier. When he talks about how he had to “cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,” (ln.54), I was kind of grossed out. I do love the use of the word offensive here, though, because it can be applied in several different ways. The first, of course, is that the wound itself is offensive in smell. One could also take it to mean that the wound isn’t just offending the sensory organs, but the fact that is offensive that this person should have to suffer so much. If I think about it a lot, it makes me a little sick to my stomach, so off to the next section!
Ah, death. How bad of a situation does it have to be for some one to wish “come sweet death! be persuaded O beautiful death!/ In mercy come quickly.” (ln. 44-45). I don’t think that death is beautiful, but I’ve also never been in the types of situations that these soldiers were in. They must have been suffering an awful lot to wish for death, but this is something that I feel people have to experience in some form to understand, although I wouldn’t wish it on anybody.
Speaking of death, I love how the last image that Whitman leaves the reader with is that of a “soldier’s dying kiss resting on these bearded lips.” (ln. 65). What an awesome way to end a poem. It is almost like the story of the soldier is passed onto Whitman to tell through the kiss. It shows the suffering of the soldier and the duty of Whitman to explain the sorrow of the soldier to those not familiar with the atrocities of warfare.

5 comments:

Megan said...

I also really liked the last image of the poem, "soldier’s dying kiss resting on these bearded lips." I think that is probably what stuck out to me the most from the entire work (and not just because it was the last night). There was just something about it that was so poignant and beautiful and sad. I love Whitman's images for that--how he can make you feel so many different emotions with just a phrase.

Kristen said...

I never thought about how many different ways you could interpret the word "offensive," but what you say is absolutely right. That's just one of those weird quirks about poetry (even though each word is a deliberate choice by the author, it is read by others to mean a whole slew of things).

Ross Pisarkiewicz said...

I found the lines (come sweet death! In mercy come quickly) to be very interesting. Because you wouldn't normally view a doctor to rute for death upon an individual. But Whitman points out that the injuries left by war can be more painful to live with than death.

Carly said...

I wasn't much of a fan of free-verse poetry until last semester when I took a poetry writing class and developed a much greater appreciation it. During that class I realize that, while I may not agree that free verse can always create a more meaningful poem, free verse definitely can be a more powerful poetic device than writing with meter. "The Wound-Dresser" is a great example of this; by writing in free verse, Whitman clearly and eloquently portrays the experience of dressing the wounds of the soldiers, without losing any of the emotion of the experience. Had he tried writing the poem in meter, I feel like it would have taken something away from the emotional power of the poem and made it too flowery.

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